मंथिकाManthika
Menu

Just one more

Arjun lies propped on one elbow in a dark bedroom holding a phone close to his face, its glow lighting his cheeks, a thick textbook open and ignored on the bed beside him.
THE BEDROOM · Arjun sat down to revise for forty-five minutes.

Arjun sat down to revise for forty-five minutes. He picked up the phone to check one thing.

Twenty minutes later he was still scrolling. He had not decided to keep going. He simply never reached a place where it stopped.

A story ends. A song ends. Somebody stops telling it and you go to sleep.

At one in the morning he put the phone down. The book was still open at the same page.

two things to listen to at night
how much of it there is
how much you want one more
Two things to listen to at night. The top bar of each pair is how much of it there is. The bottom bar is how hard it pulls. Everything past the dark line is more than the world ever had of it.

Nobody told him to keep going. Nothing told him to stop.

↑ Back to top

The idea

A feed does not end. It was built by people whose job is to make sure it does not.

The people who study this have one sentence for what happens next.

A LONGER LOOK

The idea

Old instincts misfire on engineered stimuli.

That sentence has three hard words. Take them one at a time.

An instinct is something your body does without being taught. Wanting sweet things is one. Turning your head when something moves at the edge of your eye is another.

Instincts were built slowly, over a long time, for the world people lived in then. In that world a ripe mango came once a year, and when it was finished there was no more.

Your body is still that body. What it meets every evening is not that world.

the same body, two worlds
a ripe mango, when the tree had them
how much you want it
The same body, two worlds. Nothing about the wanting changed. The thing it meets moved a long way to the right.

Something engineered was made on purpose, by someone, to do its job as strongly as possible. A cold drink is engineered. So is a packet of chips, and so is the feed on a phone.

Nothing here made itself. Each version was made stronger than the last, and somebody was paid to work out how.

somebody moved it, three times
how sweet
the pull
Somebody moved it, three times. The line stays where it always was. Only the thing keeps travelling further from it.

The size of a pull tells you how strongly a thing was made. It tells you nothing about whether it is worth having.

A mango pulled at you because there was one, once a year. A cold drink pulls harder. That is all the harder pull says.

↑ Back to top

What people say instead

Arjun’s mother turns from the kitchen counter to speak gently to Arjun, who sits slumped and heavy-eyed over his breakfast plate with his school bag at his feet.
THE KITCHEN · “You have no willpower, kanna. Just put it down.”

Amma had seen the light under his door. “You have no willpower, kanna,” she said at breakfast. She said it kindly, the way you say a thing you have said before. “Just put it down.”

Arjun did not argue. He had tried putting it down. It had worked for four minutes.

He thought about the textbook, open on the bed the whole time. He had never once sat up till one in the morning with that.

Amma was right that something had hold of him. She was only wrong about where it lived.

as Amma sees it, and as the night was
the thing in your hand
how much you kept wanting one more
On the left, the phone drawn as an ordinary thing. The pull sticks out past it, so the extra has to have come from Arjun. On the right, the same night with the thing drawn the size it really is.

↑ Back to top

The same pull, twice more

A birthday table with a crumpled empty snack packet and a nearly empty bottle beside a wide steel bowl of cut fruit that is still almost full, children reaching past it.
THE BIRTHDAY TABLE → · The bowl of fruit was still there at the end.

At his cousin Ira’s birthday the chips were gone in ten minutes. So was the cold drink. The bowl of cut fruit sat there all evening, barely touched.

Nobody at that table chose salt over fruit. The packet was made to be hard to stop eating. The fruit grew.

The same shape as the bedroom, in different clothes.

the same table, two plates
cut fruit, as it grows
how much you want more
The same table, two plates. One of them was put together by somebody who wanted it finished.
Arjun sits by a bus window holding his phone in both hands, his face sharp with sudden anger, one thumb already lifting to tap, other passengers unbothered.
THE BUS · Angry in ten seconds, forwarded in twelve.

A week later a ninety-second clip made Arjun furious in ten seconds. He forwarded it before he had finished watching it.

Somebody cut that clip to its sharpest part on purpose, and threw the rest away. An argument in the street is slower. It has a dull middle, and nobody is shouting yet.

Three different things. One shape underneath.

the same argument, two lengths
an argument in the street
how much it grips you
The same argument, two lengths. The one on the right had everything dull taken out of it before it reached him.

↑ Back to top

Spot it

Two things you meet every day. Ask the same two questions of each.

PUZZLE CORNER

1

A plate of rice at dinner. How much of it is there, and who decided it would be that much?

PUZZLE CORNER

2

A notification at midnight. How much of it is there, and who decided it would arrive then?

two things. where does each one land?
how much of it there is
how much you want more
Two things, drawn the same way, with both bars left blank. Where does each one land against the line?
the same two things, drawn true
how much of it there is
how much you want more
The same two things, drawn true. The rice stops near the line. The notification does not, because somebody built it not to.

One was cooked by somebody who wanted you fed. One was timed by somebody who wanted you back. Neither is a mystery once you ask who chose.

Here is the part that actually works. When a pull was built into an object, trying harder against it is a poor plan. Moving the object is better.

Arjun reaches up to set his phone face down on a high shelf in the front room beside a coiled charging cable, turning away toward a lit study corner beyond the doorway.
THAT EVENING · The phone charges in the front room now.

Arjun’s phone charges in the front room at night. He did not win the fight. He moved it out of the room.

HANDS ON

This week, at home

Pick one thing you keep reaching for without meaning to. Move it — to another room, or to the far side of the one you are in. Leave it there for a week and see what the week does.

↑ Back to top

The same pull, three costumes

Arjun sits writing in an open spiral notebook at a lamp-lit desk with a textbook flat beside him, calm and absorbed, his phone face down on a far shelf out of reach.
THE DESK · Two columns: what he meant to do, and what he did.

The same pull runs through the feed, the cold drink and the clip. Each was made as strong as somebody could make it. The body that meets all three is the old one.

None of the three is a failure of character. Each is a designed thing meeting a body that was not.

Arjun keeps two columns in his notebook: what he meant to do, and what he did. The gap used to look like a fact about him.

Amma was right that something had hold of him. It was in his hand, not in him.

the same pull, three costumes
one more
the pull
The same shape, three costumes. In each one the thing runs far past the line, and the wanting goes with it.
A SCHOLAR INDIA REMEMBERS

Uncle Jayarashi was the one nobody quite wanted at dinner. “Show me,” he would have said. “Show me what we would see if it really were willpower.” Arjun could not answer that yet, and decided he was allowed not to. He knew one thing, though. Nobody stays up till one in the morning with a maths book.

↑ Back to top

The name

People who study this call it an evolutionary mismatch. Evolution is the slow way living things come to fit the world around them. A mismatch is what is left when the fitted thing meets a world that moved.

Nothing in the body is broken. It is answering a world that is not there any more, correctly, every time.

You have seen the shape six times now. The words are new. The shape is not.

the shape, with no story in it
the thing, made as big as it can be made
the pull, following it
The shape with no story in it. The band is the world the body was built for. Everything past the line was made, by someone, later.
A LITTLE HISTORY

Where you will see this next

Next chapter: a number that grows by doubling looks like nothing for a long while, and then it is everything at once. Telling a doubling from an adding is a different question from this one.

↑ Back to top